Physics of Sound:
-> Waveform characteristics
-> Pressure characteristics (nodes,antinodes,mechanical waves, reflection and diffraction etc)
-> Formulas (wavelength, period, peak/rms)
-> Harmonic content, phase, acoustic envelope etc.
-> Understanding dB formulas and reference values: dBSPL, dBV, dBu, dBm. Log table will be provided. Proper units must be used.
-> Fletcher-Munson equal loudness contour, phons and other other psychoacoustics topics: combination tones, beat frequencies, masking etc.
-> Factors involved in localizing sound
-> Perception of Space topics: Characteristics of Early Reflections, Reverb and the time factors involved
Studio Acoustics:
-> Standing Waves and Room Tuning
-> Concepts of “coupling/decoupling”, structural borne oscillations (Floating floors, risers, staggered studs, dual-pane glass etc)
-> Transmission Loss, Absorption Coefficients, Average Room Absorption Calculation, Room Modes, Diffusors, Quarter Wavelength Traps, Functional Traps and Reverb Time calculation [RT60]
Microphones:
-> Microphone design types: dynamic, condenser, ribbon + How do these design characteristics influence their operation/output/directionality
-> Microphone characteristics: polar patterns, transient response, frequency response, proximity effect, equivalent noise rating, overload characteristics
-> Phantom power, direct boxes and impedance conversion
-> Microphone/cable impedances and their effect on things like cable length, electrostatic and electromagnetic interference
-> Differences and advantages/disadvantages between balanced and unbalanced cables
-> Microphone placement strategies: mono, stereo and surround
-> Microphone PreAmps
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Radio Jockey Eligibility Criteria
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Duis autem vel eum iriure dolor in hendrerit in vulputate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan.David Bowie
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